Pop (Charles Richard) had grown up in the Bronx, Mom (Dorothy Mack Eberhardt, RIP at 96) in
My father sent us postcards with the colored photos of flowers on the front, that along with Uncle’s gardens and greenhouses gave my childhood an overwhelming sense of flowers- the different ones, the colors. It made me want botannical books when I became a collector of books.
We spent hours collecting the different colored starfish from tide pools. . I have strong memories of the ochre/ orange, the red starfish, somebody tell me what other colors? that we collected as kids from the in-exhaustable mystery of the tide pools or swimming out to the float off the beach and diving among the giant kelp, the scenes from the (now discontinued?) glass bottom boats that put out from Lovers' Point. For me, this was Proust's madeleine and I can not stop clicking my mental camera and collecting the memories into a mental scrapbook. To a five year old, Pacific Grove had been a universe of the exotic, swept by the bracing tang of the nearby sea or the scent of eucalyptus leaves- there was a favorite smell of humus in Uncle’s greenhouse gardens , whenever I encountered it and eucalyptus or bay later in life it would transfix me back in time to the streets of P.G. my Uncle's glass palaces with their rows and rows of sharp scented (were they mums?) and dazzling begonias and staghorn ferns. It hung in the back of my mind like the “Rosebud” brand sled that Citizen Kane sees in the movie just before he dies (he remembers it from his childhood). These greenhouses were my equivalent of the Tah Mahals- exotic as
Mom, Grandma at Mt. Hermon religious retreat- Mt. Hermon, Calif. photo by an Uncle? 19 teens? reminds of Mary Cassatt
Was the marine scientist friend of John Steinbeck, Ed Ricketts, still alive nearby? Was John Steinbeck? (this 1946) My grand father had, as a lawyer, had some kind of negative dealings w Steinbeck, something, mom says, about unpaid bills? Mom heard the different whistles of the canneries calling their workers.
She remembers a shanty town of
We would throw Uncle's begonias out into the road to see how they looked when cars drove over them, reds and whites mashed into the dark blue asphalt; once we lost (or more probably threw) a rubber ball up into the top of a palm, up over the crown of fronds where you could never retrieve it or see it again (also already mentioned). Is it still there? Every snack of "fritos" takes me back to the first time I had them on a picnic out in the dunes amidst the ice plant near Asilomar and the old Del Monte glass manufacturing plant. These same dunes undoubtedly lingered in my mother's memories, taking her back into the teens (the 20's) for she had been attacked there by a masked rapist. She never would divulge the whole of this incident although I gathered this monster had not gotten very "far" with her (for what reason?) (she never wanted to talk about it) (in our times he'd be a serial killer and mom'd been eventually located in a shallow grave and I'd have never seen the light of day!).
I returned to The golf course, the Point Pinos light, Asilomar- these were all burnt into my memory- not to mention There is something wonderful in the air, the light, the fog around My first creative writing (other than an irretrievably lost diary of one of the folks summer cross country trips with the Airstream trailer) in 1960 concerned walking my Grandfather's second wife to church- youth and age and how self conscious I was.To be ashamed of the old? Why? I experienced my first awareness of human cruelty on the little beach beside Lovers Point in On the other side of the ledger- that trumpet line stepping off and up in Bach's 2nd Brandenburg Concerto which I first heard from the back of a church at the Bach Festival at Carmel...I sat up to attend (D.H. Lawrence's word about the Taos landscape). It riveted me. It dawned on me that such things were possible. The trumpet seemed to beckon. In 2004 I met the current President or Chairperson of the Board of the Bach Festival at a concert by “Pro Musica Rara” in
Had I been truly prescient (not likely at the age of 6?) I'd have searched out Wynn Bullock in his photography studio at
I would accompany Uncle Wilfred Mack collecting jasper and jade and rhodomite down on the beaches of the
On my later visit- in 2000- C and I stopped at Point Lobos, where mom and dad had honeymooned, then drove down coastal Route One, thinking of Robinson Jeffers and Henry Miller. I could see why people wanted to build in remote parts of
Rainy, foggy days in
Like
These areWeston coasts - ice planted,
Befuchsiaed 17 mile Drive,
Point Lobos, sea lions thought to be wolves
By the Spanish explorers because of their barking,
Sepia, brown silver toned Weston photos-
My Camera on Pt. Lobos,
Whale skeleton beached below the cypress,
Point Joe and the lighthouse,
Steinbeck’s n’er do wells trekking on up
And Joan Baez clear peace voice out over that valley
And over
Great coast bears of
Like local tribes,
What is left? Beached dried starfish,
The whale vertebrae, kelp whip lashes,
Only Jeffers’ tower at Tor?
Because it is stone.

North Carolina
Another Ur-text landscape: my more formative, somewhat less exotic base of growing up was
We slept on a second story screened porch from which one could hear baying coon dogs deep in the night. Mock civil war battles were fought once a year and other memories associated with a college burned themselves into our memories, the smell of a friend's father's chem lab, the colors of discarded football game tickets. Years later taking a piss in the basement of the new Meyerhoff Symphony Hall, the smell of a deodorant puck in the urinal brought back clearly, like Proust's madeleine, the sugary, fresh smell of bubble gum from childhood. A certain forest green color was always for me the color of a prized yo yo. That dragged with it the deep delight of collecting bubble gum cards. American history was one category, with a card for Andrew Jackson and was it the battle of
It has been said that masturbation is the poor man or the thinking man's television. These were years before television but I provided myself with many scenes, masturbating bu f king my pillow before I could even ejaculate as I spun out a serial tale of Belle Starr's daughter or other cowgirls or perhaps Brunnhilde style valkyries who had houses with trees growing up through. I even put diapers over the pillows to make them softer. Of what was this the sign?
Sometimes, pop would invite students from his classes over and show slides he had taken on a 1953 trip to the "
In 1999, I started developing Pop's slides into photos and making an album of them. It was a sort of long delayed tribute, I was seeing things again through his eyes. I wrote the Royal Geographic Society and they told me that one could become a member if nominated by two other members. The pictures were beautiful and in one, pop lay on the sand as if dying of thirst- joking around with his photos the same way I would joke in photos later on.
I remember a lecture Pop gave me about women, after I had been out riding horseback with my friend Barbara Reed (Reid) (the Service Station owner’s daughter?- see Jim Puckett’s glorious book on Davidson- Olin, Oskeegum, and Gizmo) and returned with my face smeared with her lipstick- I never forgot riding behind her on that horse. “A woman is like a rose”, he told me, trying to instill that upright, righteous, honorable approach. I was far more likely to learn the philosophy inherent in such immortal lines as “Lady of Spain I adore you, down on the floor o you wh re you” or the verse we sang at Mount Hermon, where they made fun of me because I had taken a Ms. Winterbottom to the senior prom- my first blind, ejaculatory date: “O this is # one and the fun has just begun, pick me up and lay me down and do it again”!
There was a conglomerate of asphalt like a rock called a clinker used in driveways (or what was it used for?) back then that you could turn into a “clinker egg” by pouring certain chemicals on it that would hollow out a landscpe of fantastic colors- like the dyes one sees in oil in puddles. These are the sorts of things that are unforgettable to me, whereas in Puckett’s book, he has extraordinary recall about many of his interchanges with other kids.
A Nostalgia Trip back to I made a pilgrimage back to Davidson in 1992?, one destination being Egg Rock, another mysterious and deeply engraved memory icon. The Egg was a cabin sized boulder shaped like an egg and precariously balanced on another couple of rocks in the woods off I discovered that the rock, sadly, was no longer there and I tried to track down what had happened to it. It turns out it WAS there, just no longer perched the way it used to be. Like other memories of the past it kept out cropping along the brain's tracks of synapse bursts. A letter I wrote to the Charlotte Observer turned into a charming article by Pat Gubbins that started some balls rolling towards a solution to the rock's mysterious demise. Ms. Gubbin's article, headlined "Riddle of Egg Rock puzzles ex-Davidsonian" was followed by another in which she interviewed a Davidson professor Dr. David Grant in an article entitled "Egg Rock lore is on a roll, but stone rests near old site." The rock had tragically "disappeared" in '72 and the professor gave a good accounting of what may have happened: either it slid off because of heavy rain or had been levered or dynamited off by "pranksters". I had jokingly surmised that the aliens who had left the rock there may have come back to claim it or that the rock had something to do with Elvis Presley. Pat had stated in her first article that I wanted to hear from persons having knowledge of the rock, and I was thrilled to receive a snapshot from a Ms. Helen Mayer of Ms. Mayer wrote me a charming note: "Hope this is one of the ways you remember it. We have a picture with our son and friend climbing to arrow pt. by way of tree that swung over." The Davidson trip set me pondering about old friends and other childhood happenings which remained so sharp in the brain (do they race around like the circuits in a computer, firing off now and then as they leap a particular gap? and why do certain memories surface as if from no where?). Now that I could finally "see" the rock again in the photo, it would not bother me so much, wondering what happened. I could put it to rest. The boulder looked almost light in the photo, like a pea some submerged giant lying under the leaves is holding on his lips. But it was sad the rock was no longer there. It seemed a monument to a nature that was not only awesome, but also playful, delightful. It was sad to think that malicious persons may have dynamited it to fall. I preferred to think on the bright side. I had been able to return to Davidson and , despite failing to get together with old friends, at least I was able to find out what had happened to the Egg. In the second article, Professor Grant even offered to "take someone in there if they wanted to find the actual site". It had been a clear, cool, bright and blue day as I tramped around in the woods trying to find the rock. I had been able to "go home again" if ever so slightly. One day out jogging back home a woman passed me with a sweat shirt that read on the back, "Nothing behind me matters". Not so with the past, we remember it constantly, especially the good parts. My childhood had been happy and I was able to walk up Tragic memories also lurked, of my boyhood companion, Jimmy Woods who died in the Vietnam war, an old girl friend now undergoing a painful divorce, maybe native Americans had performed human sacrifices at the rock, etc. I had attended a crafts show in Two of the most salient connections to the past came out of the landscapes of Pacific Grove and Davidson: one, that precursor of the phonograph- my grandfather had one- a machine that played large metal discs like a music box (it WAS a large music box- what name?) by plucking little holes cut into the disc- anyway- he had Souza marches and great opera arias (did you know that Souza was a student of Offenbach’s?); two, the square dancing and reels we learned as kids in North Carolina- a direct throw back to European dancing of old. Of course, Ms. Berg’s piano lessons at Davidson and the singing we did at Maryland- Mataponi Creek as beeyuteefull as this looks- this creek was filled w blooms of invasive algae- you had to paddle hard to get thru it- the bay is fished out- it will not be restored- human kind will greedily destory itself- fortunately- after i'm gone Memories of later, youthful years in Memory, which can be sharp as myrrh or frankinsense yet erases itself as it goes along, (thankfully)...sometimes like pentimento (the paintings they discover under old paintings). I might head south into Running the Mnemnosyne, goddess of memory, mother of muses, "waker of longing" said ?, longing perhaps for the fabulous truths which we may even have known once but have lost since they "slipped through the seams" of memory by accident. We try to bring up fond memories or even dredge up (for our psychiatrists) meaningful bad memories. Maybe they will help us reach some self understanding. What if you could remember your own birth? I assume that had quite an influence...but if it's forgotten how could it? There are treasures in our own brains worthy of a Howard Carter when he first peered into King Tut's tomb (he said, “I see gold things”) or John Lloyd Stevens when he first saw the Mayan ruins of STEPS DOWN TO THE Why should steps down to the water Mean anything? What is the Gate without shadows? Odor of water, of Memory..."ich vergisse", I forget. Mnemosyne: gate without shadows. Vladamir Nabakov has written wonderfully about these sorts of memories in Speak Memory. Vermont Green Mtn. State- Vt. near Randolph? Ripton? Rochester? Perhaps my greatest Ur-text landscap was of It was an idyllic summer retreat but came to be more darkly tinged, after my winter visits there on vacation from Sound time makes, a Rushing away like Crossing bells heard From the train As it goes by/ Red shift or blue Dopplers, and Sandgate, how it Always sounded, time sound In memory, you can Almost hear it, How Sandgate looked As remembered, how It looks as I drive back Into it, the valley In Aunt Helen Killed herself and Little cem- etary up on The hill, yes, hill- sides Are brooding, Even spring Somewhat dark In Darkly beautiful, Dark green, then Apple green, milk green Of the river And ever so Cheerful Light green of new leaves, O, Helen was buried in the little cemetery on the hill above the simple Sandgate had affected me deeply. It took on a mythic, I remembered it in sun, darkly appealing as the sex I went through the motions about with my same age cousin Carol. I remembered it in the brooding Fragments towards a geography of memory (so many of these occur in Vermont): roads to the top of the ridge, Carol's daughter whom we visit briefly in '66, Mary Helen and her mother's dark, seductive Italianate look, house run down, threatening nature of the hills, looming nature, Bret Harte, "The Luck of Roaring Camp", the mixture of lust, death, along with the rushing Green River, the sound of that rush, everything carried away, swept away always, road behind Mt. Equinox going all the way to Manchester..., past Beartown, where road becomes impassable to cars, how one approaches the valley, shivering with delicious anticipation (at last, after all the driving of the day, one is coming upon something momentous, something meaningful. If I were religious, these places and the memories of the bodies of women would be my temples. More so than the Rumi/ Khayam sufiism or " trip to visit brother Tim, Randolph Vt., 6/9- again, we visit the Vermont Verde Antique quarry in Rochester Vt., only location where you can get this green granite/marble- often used for counter tops- a very dark, brittle, forest green stone- extremely hard, extremely bittle- I sneak behind the "No Trespassing" signs at the gate and take one shot of two enormous blocks, one atop the other- like a Miro, Ernst, Moore (Japanese guy) sculpture. The quarry only opens once and awhile- on demand. If this isn't the green mtn. state, what is?

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>
>
> The skinks, the newts, the Allegheny hellbender whose range
> Has shrunk up next to nothing, Chesapeake Bay
> Thad I'd put up there beside Maine/ California coast- athough
> a gentler beauty-
> The shore not of rock but rather oaks and hollies
>
> Has also been diminished thanks to new pirates-
> Same species as John Smith who saw
> We lived with bounty,us homos not sapien "Knowing" but
> Homos unkowing- new pirates - the developers,
>
> Overfishers (I guess they didn't know better?)- it's us!- just like
> The tribes who warred before us- Susquehannocks, Cecil Calvert...
> Squabbling about Kent Island - all this history
> You were never taught- and so much more to uncover...
>
> You think ELF* wrong to blow up radio towers, was anyone hurt?
> Let's stand besides the species that were lost today!
> Earth Liberation Front!-that's it: spring peepers, tree frogs send
Their message in unison--"You asshole humans mark "THE END!" *Earth Liberation Front
Mark Catesby- Rockfish (could this b the Md. Chesapeake rockfish? I thought that was striped? 
Fragment: something about the sound of the word fuhn and the feel of that weather from Switzerland, is it at the end of winter, lots of fog, then something about the sound of apples being graded and the idea of the bottom of her grave being awash with that sound and the body carried away by the water table, also the sound of pebbles and small stones rumbling down the Green River, same as the sound of that fast movement in Franck`s violin sonata or the Beethoven Op. 95 string quartet, last movement, a rushing away, sound always made by time and life passing by if you listen closely enough
Maine
beach at Ogunquit. ME
This poem written a bit further north- midcoast where Ms. Hannaman had a wonderful home overlooking the Martinsville Beach (where NC did his masterful "Cannibal Shores") near Tenant's Harbor Maine, at Mosquito Point. Maine is special like Big Sur and Carmel- rugged....not like the gentle Chesapeake.
Of course the poem veers off into Hawaii (Kuai) and Taos and the Rockies, as well.... I haave written 2quite a few National Geographic poems- place means a lot!
NATIONAL GEOGRAPHIC SPECIAL Someone kept watering petunias? On the glassed in front porch Of the summer house (but It was fall- no one there!) `til they shone like pink beacons In the fog weeks when the horn's On all the time telling `bout rock ledges and waves And blue spruce keep Crusting and breaking. Bantams screech after Sharp orange, Gleaming rust with red wattles, They display their chrome bibs. How you painted suns onto Your face for the corn Celebration, how you adjusted Your head band, that one dance "Of the women" (only they Know your true name) But I know it! We follow shamans to The stone wheels high up In the Sawtooths, the Siskyous; We watch daggers Of sun sink down a cliff face At solstice, sink into The spiral we carved there Beyond First .
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